Monday, September 10, 2012

The Age of Old and Young

Despite the undeniable emergence of crow's feet and a graying beard, I still feel pretty damn young, and tend to act it as well. But am I, like many people, obsessed with youth?

Some people don't like talking about their age, and you really can't blame them. Age is one of those aspects of humanity that carries all manner of prejudicial thoughts, and crosses every other barrier of race, nationality, gender, and economic background. We tell people straight out to "act their age". We talk about "age appropriate" entertainment. We define and subdivide people's cultural activities and buying habits with age being the highest-level demographic category.

If you think you're immune to age-based prejudice, let me ask you a seemingly easy question: is it okay for a 61-year-old man to date a 23-year-old woman? Why, or why not? They're both adults, obviously. Would you think any less of either of them for making the choice to be involved with each other? Would you harbor any preconceptions about why they are attracted to each other in the first place? Most people would, and perhaps for valid reasons. Or perhaps not.

The Age of Variety
In any case, I'm at an age that seems to have a lot of variety. This morning, several of my friends on Facebook who are all within a couple years of my age -- 43 -- reported that their children are starting pre-school today. A few moments later, I stumbled across a photo of another friend sitting on a chair with her grandson on her knee, and she'd posted about her child having graduated from college this year. That woman is also about the same age as me.

So, the true concept of "middle age" (defined as the period beyond young adulthood but before the onset of old age, roughly age 40 to 60) really becomes apparent with these examples. The lifestyle of a person with a young child just starting school is obviously different than one whose children have grown and moved out on their own. And yet, they are the same age! "Middle" is a vague term, and it's a vague age, to be honest. There are few aspects of being middle-aged that are consistent from person to person. If you're going to have preconceptions, it would seem that it's much easier to predict what a person will be like in their youth and elderly years than in the time between.

Youth is for the Young
I really don't share that obsession with youth that pervades most of our society. If I look a little younger than my 43 years, it's due to a few factors that I didn't consciously attempt to control in order to appear younger than I am. My genetics are a big factor, obviously. But my relatively active lifestyle, my attempt to eat balanced nutrition, my getting plenty of sleep, and little factors like my style of dress are all things that probably help. The fact of the matter is that I don't do those things in an attempt to look young. I do them because they feel right for the person I am, whatever that means. If anything, I have habits like smoking which certainly don't help at all in looking young and fit.

But more importantly, I have managed to finally get past some of the built-in prejudice in regard to age. That has been a huge beneficial quality I seem to have acquired as I've grown older. I can relate to people 20 years older, and 20 years younger than me right now (though they may not be able to relate to each other at all). I can be friends with those people. I can hear their perspectives. I am still open minded enough to learn from them, and I do. All the time.

Back to my similarly-aged Facebook friends: in terms of one definable aspect of their lives, I am right in the middle. My child is 13, making me neither particularly young or old as a parent. And despite the similarity of my friends' ages to mine, I can no more conceive of having a toddler around right now than I can imagine waving goodbye as my son goes off to college. It is simply too far removed from my current perspective of helping him with pre-algebra homework, or getting him to clean his room. But in any case, all of our respectively disparate experiences are well in line with what middle-aged people do and feel. It's a wide range of daily joys and trials, and I'm fine with it. I'd no more want to reverse the clock than I would to speed it forward; there's so much to do and experience today that I'm content with being who I am now, regardless of my years.

Sunday, September 9, 2012

Club RoCa (09.07.12)


As any reader of this blog knows, I always look forward to opportunities where I can expose my music to new groups of people. In Second Life, those opportunities come knocking when I perform at venues where I've never played before, which is exactly what happened last week when Maali booked me at Club RoCa. While it's not a brand new place, the entire venue just moved to a new location and had re-opened the day before, so there was plenty of newness in the virtual air for everyone.

Since I'd be playing for at least some folks who hadn't heard me before, I decided to do what I'd consider a "typical Zak show", where I mixed in a good number of my originals with some covers of artists people don't always hear performed in SL or elsewhere. The show didn't exactly start out with a bang; during my very first song, the audience lost the audio, and I started to get that sinking feeling that happens when the technology of live streamed audio bites me in the ass. But I needn't have worried; we restarted the stream and everything seemed fine after that.



Club RoCa is a really nice, contemporary and elegant-looking build without seeming stuffy. Rob and Maggie did a good job on the place. I ended up enjoying my debut show there quite a lot. Photos by Kat.

We also started things out with a pretty small crowd, but as I played, more and more people popped in, and it was really a good-sized audience by the halfway point. I've always said that musicians don't get new fans in bunches, but rather one at a time. I'm happy to say that at least one person in the crowd at Club RoCa truly seemed to enjoy my music and my performance, and she made some generous tips and joined up with the "Zak Claxton Happy Fun Group" immediately after the show. I don't ask for anything more than that, and hope to see her at more Zak Shows around the grid.

Club RoCa Set List...
Northern Sky (Nick Drake)
You're Like a Cloud (Zak Claxton)
A Million Miles Away (The Plimsouls)
*Afternoon Delight (Starland Vocal Band)
Falling Down (Zak Claxton)
Fire & Rain (James Taylor)
Broken Day (Zak Claxton)
Accidents Will Happen (Elvis Costello)
In My Time of Dying (Traditional)
Man on the Moon (R.E.M.)
I Am A Child (Neil Young)
This Afternoon (Zak Claxton)

*Indicates the first time I've performed this song in SL.

Huge thanks to all who came out to my debut at Club RoCa, especially the following folks who helped support the show!
Artemis Rexie, Triana Caldera, GMetal Svartur, Endymian, JDHoney, Rusty Seisenbacher, Sesh Kamachi, Kat Claxton, TheaDee, and Club RoCa owners/hosts bballrob and Maggie Ashbourne!

Monday, September 3, 2012

Liquid at Weston Road Labor Day Block Party (09.01.12)

VIDEO LINK


I have played in many bands, going back to my early teen years. Being in a band is a serious commitment... one that takes time and energy. Between all the things in my life (including my own musical solo career), there's no way I could be in a band full time today. However, my good friends and bandmates in my former cover band Liquid -- Randy Harmon, Phil Gilbreth, and Dante J. Silva -- are understanding of that. All of them play in other musical projects... Randy sings for Scoop deVille, Phil rocks with the Pheasant Pluckers, and Dante jams all the time with an ever-revolving collection of old buddies who are also great musicians.

But for the last couple of years, we've managed to get Liquid back together for some special events, and each time has been great. I will tell ya: I love doing what I do as a mostly acoustic solo artist, but the act of cranking it up and completely rocking out fun tunes at high volume is fulfilling in an entirely different way. In many ways, it takes me back to those early years of turning up my amplifier and jamming back in those teen years.

Taking It To The Street
This particular event, the Labor Day block party on Weston Road in Torrance, CA, has some special meaning to us. Back in 2002, it was the first gig we played as a band, and we've played there in the street of this suburban tract a block up from PCH many times since. It's a fun, family-oriented event, with neighbors barbecuing, and dozens of kids and dogs roaming the street during the early part of the day. We actually played quite a bit later than we had at previous Labor Day weekends, which was great because only the first set had us performing under a hot late summer sun.

The Liquid Awards

Dante J. Silva: The "Two Princes of Tempo" Award
Dante and I have played music together for over 25 years, and he never fails to amaze the audience with his drumming skills. At this show, we had a moment of high comedy when The Rocket took off at the start of the song "Two Princes", which we ended up doing at breakneck speed. I laughed through the entire song. But Dante's playing is always a highlight of the show, and I enjoy listening to his virtuosity as much as anyone.

Phil Gilbreth: The "Solid as a Rock" Award
I've played with dozens of bass players, many of them terrific musicians. But few come close to the rock solid reliable greatness of Phil. He can do it all, from keeping the perfect laid-back groove to note-for-note renditions of the most technical bass lines from the world's best players. It's a pleasure to play with him.

Randy Harmon: The "Above & Beyond" Award
If any one person is the heart of Liquid, it's our vocalist. Randy is the one that gets us together now and then, and has always been the main guy to book the shows, provide rehearsal space, and often singlehandedly doing almost all of the setup and teardown. In addition to being a great singer, he keeps Liquid flowing, and I know it won't be too long before Randy drops me a line and we make some Liquid rock once again.

Same Old Song and Dance
Since we're not an active band, there was no way to refresh our set list, but playing those familiar covers is like putting on an old, comfortable pair of slippers. Of course, we weren't quite as tight as when we were playing every other weekend and practicing on weeks in between, but to use another overwrought analogy, it's never hard to get back on the bike and ride. We ended up doing four pretty good-sized sets, and covered a lot of musical ground. I think that there was something there for everyone!

The Set List

Set One:
I Want You to Want Me (Cheap Trick)
California Dreaming (The Mamas & the Papas)
Come Together (Beatles)
Mary Jane's Last Dance (Tom Petty)
My Own Worst Enemy (Lit)
Sweet Emotion (Aerosmith)
Back in the USSR (Beatles)
The Immigrant Song (led Zeppelin)
White Room (Cream)

Set Two:
Vaseline (Stone Temple Pilots)
Heartbreaker/Living Loving Maid (Led Zeppelin)
The Real Me (The Who)
Pinball Wizard (The Who)
Interstate Love Song (Stone Temple Pilots)
Red House (Jimi Hendrix)
Tie Your Mother Down (Queen)
Break On Through (The Doors)
Helter Skelter (Beatles)
Communication Breakdown (Led Zeppelin)

Set Three:
Tush (Z.Z. Top)
Alright Now (Free)
Purple Haze (Jimi Hendrix)
Born to Be Wild (Steppenwolf)
Love Me Two Times (The Doors)
Custard Pie (Led Zeppelin)
You Got Another Thing Coming (Judas Priest)
I Don't Know (Ozzy Osbourne)
*Summertime Blues (The Who)
Man In The Box (Alice in Chains)
Good Times, Bad Times (Led Zeppelin)
Cinnamon Girl (Neil Young)
Fire/Drum Solo (Jimi Hendrix)

Set Four:
Hard to Handle (Black Crowes)
Can't Explain (The Who)
Two Princes (Spin Doctors)
TNT (AC/DC)
Everybody Wants You (Billy Squier)
Roadhouse Blues (The Doors)
Panama (Van Halen)
Surrender (Cheap Trick)

To all who enjoyed the show, the pleasure was ours! Thanks to the Weston Road neighborhood, and Liquid fans everywhere!

Wednesday, August 29, 2012

Whisky A Go Go in SL (08.28.12)


Hello reader. I've mentioned several times before in this blog that bored musicians tend to give boring performances, so I take measure to make sure that I'm never bored while playing guitar and singing for an audience. That quest for excitement can lead in any number of directions, which is why I've been seen doing things like wearing a dress onstage, and many other antics over the years.

Last night before my show at the Whisky in Second Life, I started my typical process of deciding what songs I'd play that evening. To be frank, I was a bit burned out on many of the songs that I play on a regular basis. Also, I'd performed at the Whisky nearly every Tuesday night for over two months, and the last thing I wanted to feel like is that I was doing the same show, over and over again.

That's why I purposefully pulled out songs from my Big List that in nearly every case represented tunes that I almost never, ever play (which became the official theme of the night... "Shit I Never Play"). In the case of several of them, I had only performed them once before, and a few of them were songs I hadn't done in years. Check it out.

Whisky Set List...
Drive (Incubus)
Off the Wall (Michael Jackson)
All-Star (Smash Mouth)
Love Ain't for Keeping (The Who)
Borderline (Madonna)
Raised on Robbery (Joni Mitchell)
Every Little Thing She Does Is Magic (The Police)
Who Do You Love (Bo Diddly)
The Night They Drove Old Dixie Down (The Band)
Rocket Man (Elton John)
Tangled Up In Blue (Bob Dylan)

There's a catch, of course: as most musicians will likely tell you, the less you perform a song, the worse you'll do it. Practice makes perfect, and my performances of last night's songs was anything but. Also, perhaps because of it being back-to-school week and my having done a show just a couple of days earlier, we had a particularly small crowd last night. As a result, I decided to make things a bit more intimate by hopping down off the stage and playing while standing amongst my friends/fans, the Zaksters.



Regardless of all that, it was still a fun show, and now I can put those songs away for another few years until I need them again. Also, the act of pulling those songs out made me aware that it's once again time to refresh my repertoire, so I'll soon be adding some more new tunes to the Big List.

Thanks to all the Zaksters who braved my experiment in rarely-played tunes, especially those who supported my show!
alana Dorchester, Diana Renoir, Alexis Fairlady, Cicadetta Stillwater, Triana Caldera, Kat Claxton, my great manager Maali Beck, Whisky DJ/Host Dmitri Polonsky, and owner Cameron Trenchcoat!

Tuesday, August 28, 2012

Back to School


As most of you know, in addition to all the other stuff I am, my most important job title is called "Dad". Today is the first day of school this year, so now I'm back on my non-summer schedule, which means instead of sleeping until the luxurious time of 7AM, I'm up at 6AM every weekday to get my boy up and ready to head out by 7:30. He's in his second year of middle school, 7th grade, and each year that he heads back to class, I'm reminded of my own school years.

The Young One
I spent all of my pre-college school years as being the youngest person in my class. I was a smart little tyke, and skipped Kindergarten entirely. In retrospect, it probably wasn't a great idea. While I was pretty decent academically (especially early on), there were times where being the youngest wasn't easy for me. Not only was I a grade ahead of my age, but my birthday isn't until June. I had just turned 17 when I graduated high school and moved out on my own for the first time.

My earliest school memories go all the way back to the 1974-75 year, when I was five years old. This was before we moved to California; I was living in a nice town called Marblehead, Massachusetts, and I attended a private facility called the Tower School for first grade. Not so surprisingly, my two main memories from that time were performing in the school plays (I was a von Trapp child in "The Sound of Music"), and my first kiss from a girl. A little lady named Katie pulled me into a coat closet and planted one on my lips. I certainly didn't complain.

By the way: I was already a musician at that point, having started on piano lessons at age 3, and writing my first tunes before my fifth birthday. I literally cannot remember a time of not being a musician.

Ladera Linda Elementary
When we moved to California in August 1975, the school district advised my parents to have me repeat first grade again, to be more in line with the ages of my classmates. My parents, pointing out my 99th-percentile test scores, were adamantly against it, and I entered Mrs. Hupp's second grade class instead. Again, with hindsight being 20/20, there were some problems that would arise from this decision, but at the time things were pretty good. I did well in my little elementary school, which was right there in my neighborhood, and I'd walk to school and back every day (in fifth grade, I started riding my bike there, which I thought was very cool at the time).

Me, around 1977. I was already playing piano, violin, and guitar, and my teeth were on their way to my patented snaggletooth look of today.

I played violin in the school orchestra (well enough to make it into the district's Honor Orchestra by fifth grade), and after abandoning piano lessons, picked up the guitar in 1976. Ladera Linda closed not very long after I left there, which is a pattern you'll see moving forward. All of my schools below the college level are now gone, so all I really have are these memories.

Side note: that neighborhood where I spent my formative years used to sit perched above a lovely open field of chaparral that bordered cliffs overlooking the Pacific Ocean. Today, that field is long gone, replaced by Trump National Golf Course.

The site of my former elementary school, Ladera Linda.

Margate Intermediate
As mentioned up top, I'm now the parent of a middle school kid. I certainly remember my own middle school years. I'd have to say that my biggest problem wasn't a lack of maturity, despite my young age relative to my classmates. Instead, it was a desire to grow up too fast, and middle school (which I entered in Fall 1979 at age 10) was the time when I started exploring life beyond childhood, and not always in a positive way. I recall my first girlfriends around that time, and certainly was in a massive period of music discovery as well. But I also had my earliest experiences with drinking and drug use by the time I got into 8th grade. You can be sure that I am very watchful in this regard with my own son now.

By 1980, I was already a guitarist with four years of playing experience (despite being a 6th grader). Here I am (middle) with my friends Randy and Ian (who would become my first two bandmates a couple of years later).

I was fortunate in one aspect; despite my young age compared to my classmates, I was a tall kid and pretty athletic, so I didn't get messed with too badly. However, middle school is probably the prime time for bullying, and I wasn't immune from it. But the other saving grace was that my two closest friends were a grade ahead of me, and they did a pretty decent job of making people know that messing with me would result in retaliation by them. I survived.

My middle school, Margate.

Margate closed within a few years of my graduation from there. What was happening to cause these closures was that the area where I grew up, in Palos Verdes, CA, had a population that was aging, and few families with school-age children could afford to live in the affluent city, so no new kids were moving in. The schools couldn't justify their existence with this dwindling population. Several have since re-opened but often in different formats (i.e., my high school is now a middle school, etc.). Margate, I'm happy to say, is once again an intermediate school, though called something else today.

Miraleste High
I was crushed when, during eighth grade, I found out I'd have to attend Miraleste High School instead of Palos Verdes High where 90% of my classmates were headed. The reason was simple: Miraleste's declining population, combined with the location of my family home, caused the district to redraw the boundary lines, and I was just on the other side.

So, I started high school knowing very few people there. At first, this was the cause of a lot of stress, but then my dad gave a good perspective: I'd have an opportunity to completely redefine myself, getting a fresh start with people who had no preconception of who I was. Pretty good advice.

My former high school, Miraleste, which is now a middle school.

Like a lot of kids that age, I was finding out who I was, and I ended up going in a number of directions at once. I played basketball on the freshman squad (not very well, but I did play). I got involved in the drama department and made friends there. I met some girls who liked my vibe and my curly hair, so I started dating more (though as a 13-year-old, I probably wasn't that great of a date, having to take the bus everywhere and so on). And, of course, there was music. My friends and I started putting together bands and jamming, and there's probably no easier path to popularity as a teenager than being in a band.

Ch-ch-ch-ch-changes...
I went through many phases during those years. At one point I was huge fan of Duran Duran, and dressed accordingly in swanky new-romantic clothes. A year later, I got way into the Grateful Dead and was in ripped jeans and tie-dye. I look back and note that all of this was good; it gave me exposure not only to different kinds of music but the subcultures that went along with them. High school was also the time when I began to realize that I could write pretty well; I took journalism and advanced placement English literature and composition, and I still draw upon some of the things I learned at that stage.

Here I am in 1985 or so, all 125 pounds of me, performing at my high school.

By the time my junior and senior years rolled around, while I still had the facade of being an honors student in certain areas, my home life wasn't so terrific. My mom and dad were on the verge of a breakup, and they eventually separated right around the time I was leaving for college. Meanwhile, with both of them working and my having a lot of unsupervised time, my forays into drinking and drug use had become a daily activity. My friends and I started skipping school far too often, and I ended up in trouble from both the school and law enforcement on several occasions. Despite the fact that I was taking honors classes and was chosen as a representative for my school's Academic Decathlon competition, due to my unwillingness to do homework and often being ill-prepared for tests, I just barely managed to graduate in June 1986.

But graduate I did, and I went straight off to San Diego State University, where I failed miserably before doing some serious growing up and getting my bachelor's degree elsewhere, but that's another story for another time.

What I Learned
Perhaps the most important training I got during my school years was how to recognize the signs of trouble in a child. My son, who I love and trust completely, still has a much more supervised life than the one I was leading at his age. I am deeply involved in his school activities, and keep my eyes open on his choices in social activities as well.

School is a microcosm of life. You are put into an environment with many different kinds of people, and who you choose to follow, to befriend, and to be influenced by will have a huge impact on your future in ways that aren't always apparent at the time. I am one of the fortunate ones; the experiences that I had -- good and bad -- were valuable to me in gaining perspective and real-world knowledge. And, I was lucky enough to not cause any long-lasting damage to myself or anyone else as a result of my immature actions. If you're at all like me, you probably know people who didn't manage to turn things around, and ended up dead, in jail, addicted to substances, or just plain miserable.

Today, I consider myself a very happy person, with a good business, a healthy family, great friends, a wonderful romantic relationship, and a bunch of interests that keep me very busy. I can't wish much more than that for my own son. In fact, if I had to sacrifice everything except one aspect of my life, it would be that of keeping him on a good path from now through when he goes out into the world on his own. I don't have as much time as it would seem between now and that inevitable point, so I'm doing all I can to give him the ability to make his own decisions... and make sure they're the right ones. If I do that, I've done my "Dad" job well.

Monday, August 27, 2012

7 Reasons Why I Don't Take Requests


There are many musicians in Second Life as well as in-the-flesh performers who do live shows where they take requests from their audiences and perform whatever people want to hear. While I admire many of those people, I am not one of them, and it's not because I am an asshole. I mean, I certainly can be an asshole, but I have actual non-assholistic reasons for not doing requests at my shows. Here they are in no particular order.

1. I Actually Plan My Shows
Despite my occasional references to having my set list come together at the last moment, there is always a reason for performing certain songs and not performing others. Sometimes it involves playing songs that fit a theme; sometimes it's the mood I'm in when getting ready to play (see below for all the details). But in any case, having the audience randomly pick songs doesn't necessarily make for the better shows. I know there are songs I do that specific people want to hear often, but the fact is that out of the 300 or so songs that I draw from in my solo shows, I purposefully spread them out so that the rest of the folks don't burn out on the same tunes over and over again.

2. In the Mood
Let's say it's an autumn day and the sky is overcast. I'm feeling the slight melancholy and/or wistfulness that comes with the season. And then, someone requests a song that is upbeat and happy and silly. Well, I don't blame them! But I do know that when I build my set list, I intentionally include songs that feel right for the moment, which is mostly based on my mood. I simply am not going to shift gears emotionally to play something that is in stark contrast to how I feel. That is the difference between a musician and a jukebox; the jukebox doesn't care, but the musician should.

TOP PHOTO: You can almost always find me with a yellow pad and a pen in my hand an hour or two before the show, jotting down ideas for the set. ABOVE: While I'm playing, I like to put together specific songs that take audiences through different vibes, which is hard to do with random requests coming in.

3. Sticking to the Theme
At a good portion of my shows, I put together some kind of loose theme for the music, especially when I play at the same venue on a regular basis. There are an infinite number of themes that can be done... I've done "female songwriters", "two for Tuesday", and "songs that start with the letter A" in the last month alone. I think it goes without saying that taking random requests tends to screw up the flow of said theme, understandably.

4. Things I Can Sing and Play at That Moment
Ask any honest musician, and they'll gladly tell you that they are not a machine who plays the same songs the same way every single time. There are days when my voice can handle the higher registers with ease; there are other days that I simply can't do my best on certain songs. Some days, my fingers fly all over the fretboard, and on others, I feel like I'm playing while submerged in Jello. So, I simply don't do certain songs on days that I don't think I can play them well, and I don't want to be put in a position to turn down people who would otherwise request those songs. Simple enough.

5. Covers & Originals
Since the music I perform can be most easily grouped into two broad categories -- my original music and cover songs -- it's important to me to try and put together a set that includes some of each. How many of each? It depends on the venue and the crowd, and what I feel their receptiveness will be to either original music or stuff they're more familiar with. Since there are only so many songs one can do in an allotted time slot (usually 11-13 in an hour for me), accepting requests throws off my balance of covers versus originals.

As crazy as it seems in a virtual world, the setting and vibe of the venue influences what I choose to play at each show. Some places are definitely more formal than others, while certain venues seem to enjoy a lively and rambunctious show. I plan accordingly with my set list.

6. Goodbye Spontaneity
Wait, you say. What could be more spontaneous than getting a request from an audience member and playing it there on the spot? Well, the audience has to choose the songs from somewhere, right? That means that people have to get a copy of a preset list of songs to choose from. So there I am playing, and someone is busy searching through a list of 300+ song titles instead of listening to the show? Again, not to belabor the jukebox analogy, but as soon as someone says "I'd like song number B-103 please," I've stopped being the kind of musician I like.

7. Disrupting my Mojo
Finally, there's the actual act of taking requests. I have a terrific manager who books my Second Life shows and handles in-world promotion for me, the lovely Maali Beck. I could easily have Maali collect requests from audience members and send them to me while I play, as she does with some other artists. But once I start my show, unless there's something I really need to know, I want 100% of my focus to be on just two things: a) my performance and b) the audience's reaction to the songs. I like to acknowledge folks who come and thank them for their support when I get tips. But I don't want to be stopping to read IMs and finding songs lyrics, thereby imeding the flow of the show.

So there you have it: seven solid reasons why I don't take requests. By the way, I did decide while writing this that at least half of these reasons actually are rather selfish and assholish as a result, but I'm sticking with them anyway.

Warung Beats (08.26.12)


As far as Sundays go, yesterday was a pretty damn busy one. My son starts school again tomorrow, so Sunday was our last free day to wrap up the back-to-school shopping -- both school supplies and clothes. So, Kat and I took the boy to Target and then to the mall, and I think I spent the equivalent of the national defense budget on various binders, t-shirts, and #2 pencils. Once the shopping was done, we had steak sandwiches for lunch, and then headed back home. Truthfully, it took less time and less money than I'd thought it would, which was good; it left me a good while to relax before 5PM, when I did my first show ever at a Second Life venue called Warung Beats.

I wasn't sure what to expect at this place in terms of the crowd, but I needn't have worried; in addition to a really nice turnout of Zaksters, the place filled up pretty quickly with the Brazilian folks who hang out there on a regular basis. One really nice aspect was that I'd been booked for the show by Ursula Cinquetti, who I've known in SL for the last 5+ years. Ursula has only been associated with the better live music places in SL, and Warung Beats was certainly no exception. It's a nice beachside build, with low lag and consistent textures. More importantly (to me, anyway), as I got into playing my show, I looked up and saw a nice big crowd of people who seemed to be enjoying themselves. I don't ask for much more than that, and Warung Beats definitely delivered!

My buddy (and fellow Maali Beck Entertainment artist) Lyndon Heart stands ready to do his show right after mine, while I rock the Warung Beats crowd. Photo by Kat.

Ursula! Though we're not always in touch as much as I'd like, she's been one of the coolest people I've known in SL, going all the way back to our noob days in 2006, and definitely a great supporter of SL's live music scene. Photo by Kat.

Big bunch of Zaksters? Check. Big bunch of cool Brazilian people who like good music? Check. Really good show? Check and double-check. Photo by Kat.

Also good was the fact that I felt pretty confident about my performance. I don't want to jinx myself, but lately it seems that everything -- my singing, guitar playing, and set selections -- have been working together very nicely. When I finished the show (and got out of my sweat-soaked clothes, another sign that I put my heart into my performance), I went over the set list with Kat and couldn't really find any song that I could have done better than I did.

Warung Beats Set List...
Radio Free Europe (R.E.M.)
You're Like a Cloud (Zak Claxton)
On The Way Home (Neil Young)
Let's Pretend That Everything's Okay (Zak Claxton)
1979 (Smashing Pumpkins)
Come Around (Zak Claxton)
Ashes to Ashes (David Bowie)
This Afternoon (Zak Claxton)
Northern Sky (Nick Drake)
I Like You (Zak Claxton)
Everyday I Write the Book (Elvis Costello)
I Like You (Zak Claxton)
What I Got (Sublime)
Shine (Zak Claxton)

Huge thanks to everyone who made my debut show at Warung Beats fantastic, especially those who helped support the show!
Triana Caldera, TheaDee, Cicadetta Stillwater, Kat Claxton, Spiral Silverstar, Liz Harley, my manager Maali Beck, and Warung Beats hostess Ursula Cinquetti!